An extension of Joel Weishaus Papers, Zimmerman Library, University of New Mexico.    Enter at:  MSS BC 456

 

DIGITAL LITERARY ART
FOR PRINT and assorted WRITING
SCULPTURE and assorted VISUAL ART
CONVERSATIONS WITH / INTERVIEWED BY
      

   BOOKS:

While I Was Waiting For You: Complete Poems 1965-2000.
Artellus Ltd,, London, 2021. [Kindle Edirion] 
Jungian Arts-Based Research and 'The Nuclear Enchantment of New Mexico.'
[with Susan Rowland, Ph.D.] Routledge, London & New York, 2020.
Reality Dreams: Diary of a Poet As Ghost.
Artellus Ltd,, London, 2016. [Kindle Edition]

Feels like Home Again: Collected Poems 1965-2000.
Lavender Ink, New Orleans, 2014.

The Healing Spirit of Haiku. [with David H. Rosen and Arthur Okamura]
North Atlantic Books, Berkeley, 2004; WIPF & Stock, Eugene, 2014.
Woods, Shore, Desert:. [Thomas Merton's May 1968 Notebook].
Introduction and Notes. Museum of New Mexico Press, Santa Fe, 1982.
Bits & Snatches: The Selected Poems of Sam Thomas.
Editor. White Rose Press, Brooklyn, NY,1973.
Intro: David H. Rosen. Postnote: Gary Snyder.
Oxherding: A Reworking of the Zen Text [with Prints by Arthur Okamura.]
Translator. Cranium Press, San Francisco, 1971.

 On the Mesa: An Anthology of Bolinas Writing.
 Editor. City Lights Books, San Francisco, 1971.|

50th Anniversary Edition.
Hon.Editor. Ben Estes, Editor. The Song Cave, New York, 2021.

 

 

  Orcid #: https://orcid.org/0000-0002-5977-7741

  ©Joel Weishaus 2018
  Additional Rights Reserved for The University of New Mexico.

 

Niiharu Village, Japan 1968