Rather than straight lines, it is characterized by the presence of 'preferred paths.

The rainy season's mouth is dry. The river rises with
no fish in sight. And a new path leads to an end that
has no beginning.

What we need to know is beyond the mind to know.
So create an ominiscient God, in our place to know.

Thus, two weeks after the mountain caught my foot,
the wound remains unhealed, the question remains
the same.

 

 

 

Rather than: R.L. Castro, "Sounding the Path: Dwelling and Dreaming."
In, A Perez-Gomez and S. Parcell, eds., Chora Three: Intervals in the
Philosophy of Architecture. Montreal, 1999.